I've used this plugin very successfully on those vocals to help add some dynamics and give them that sparkle they needed to sit nicely.
Too many times have I had someone record a great take only for it to not sit in the mix nicely. Doing clean vocals takes quite a bit of effort, and for them to sound "alive" takes a good amount of processing. However, I do some 80s metal and even rock in my spare time. When I do vocals, it's mostly guttural stuff with tons of compression and gain boosts. Yes it's expensive, but the time it can save you makes it worth paying for.I'll be up front about this in that I don't use this plugin too often given that I'm a death metal guitarist.
It comes with a thorough set of editing tools and can produce very high quality results. Doubler is quick and intuitive to use, and DeBreath cleans up vocal tracks in a fraction of the time it would take to do it by hand. The Renaissance Channel, for example, doesn't look pretty but sounds wonderful. However, you need to bear in mind that Waves concentrate on top sound quality and ease of use rather then snazzy features. SummaryĪt £725, the Waves Vocal Bundle is certainly a costly package. What you get with Waves Tune is something that's quick and easy to use, integrates seamlessly with your sequencer, and yet is fully-featured enough to carry out pretty much any vocal pitch correction task you could throw at it. This means you have fully automatic control over every individual segment of a performance.Īlthough it is possible to get slightly better-sounding pitch correction with Celemony's Melodyne, that's really a more specialised type of tool. In terms of functionality, Tune is as complete as you could hope for and, amazingly, the controls for adjusting the musical scale - as well as items such as vibrato speed and depth - all work on a note-for-note basis. The screen in which you drag and drop pitch information is beautifully rendered and filled with classy touches, including animated zooming and soft drop-shadows under the pitch curves. Unlike similar plug-ins, though, this process is automatic, and if a section of audio hasn't yet been analysed, it will be the next time the section is played back. This is a high-end automatic pitch correction tool for use on vocals, and as we've already mentioned, is clearly designed to compete with Antares Auto-Tune.Īlthough you can use a MIDI keyboard to control the pitch in real time, the audio signal that you're correcting must be pre-recorded - this is because Tune needs to analyse the pitch before it can adjust it. Tuneįinally, we come to the star of the show: Waves Tune. Nonetheless, this tool can be a real time-saver, especially if you're working with speech samples. You can choose what to do with the gated breaths, though if you remove them all, the vocal can sound unnatural.ĭeBreath works surprisingly well, although there are some types of breath noise that it fails to recognise. This uses two threshold controls - one based on sound level and the other based on a probability graph - to gate out the gasping noises that singers make before each line of a vocal. The first of the new plug-ins is the innovative DeBreath tool.
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